This article “celebrated” the Dublin Millennium madness and was first published in the Evening Press.
It
has two words: the first identifies the place and the second tells us it is one
thousand years old. I absolutely refuse to use either of them.
The ubiquitous logo |
We
can't bring in the milk in the morning but they've stamped the bloomin' bottles
with it. They have badges and stickers, flags and bunting, flower-beds and
murals, paintings and tapestries, cups and cutlery, plates, jugs, candles,
wallets, hats, coats, teeshirts, towels, umbrellas, postcards and even a
special stamp, all ruined with it!
You
can't open your eyes in the morning but its there - on the buses and the DART,
the taxis and the trains. Boats and planes are adorned with it. It's on car
bumpers and back windows beside those infernal noddy dogs.
There
are shows and displays, films and plays, concerts and recitals, football
matches, chess tournaments, exhibitions, competitions, schemes, projects and
plans, all because of it.
They're
selling 88 gas cookers for 88 pounds to the first 88 people to answer 88
questions in 88 seconds. You must pay by cheque (no. 88 - naturally) and you
must live in a house numbered 88. You must have lived there for 88 years and it
must be your 88th birthday. Simple, isn't it? Pop in and get yours now - while
stocks (and your patience) last. It's enough to turn a body all-electric.
As
for Michael Smurfit's private bath in the main thoroughfare, I can't express
any feeling about it that would pass the sub-editor's watchful eye in a family
publication.
I am
sick of it! Sick, tired and bored with the subject. And I know I am not the
only one. I belong to the large and too long silent majority of innocent
victims. We have had five months of the damn thing. I cannot suffer another
seven.
Let's
take the place. They tell us that it is one thousand years since it got
something or other - nobody is quite sure what! This supposes it was pretty
well established at that time. One look around it now would tell you that it is
not yet established.
The
locals, who think they are natives, all have grannies from the sticks. They
speak in a dialect that couldn't be understood by any of us unfortunate enough
to have been raised to speak in the English language. It's a sort of mix
between cockney bearla and the Inisboffin blas of the vernacular, spoken at a
hundred miles an hour when sober and in reverse after ten o'clock at night in
any half decent pub outside the area known only as "four". Four is
the old-age-Yuppie quarter of the city.
The dreaded words are on the stamp! |
Gay
Byrne is in on it - by appointment, no doubt. Please Gay, give us the doctor
who won't be happy 'till we're all hypochondriacs, or the mystery sound used by the mothers-of-ten to say hello to all their children and the
hundreds of grand-children (by name) and the cousins in Australia (we'll send
them the tape), or the sordid details of secret sexual affairs in far off rural
places. You don't need this particular bandwagon - it's overloaded already. Is
nothing safe from its global grip?
As a
redneck who has been obliged to help out the few real Jacks for nearly twenty
years, I want to raise the voice of the oppressed majority. It's time to call a
halt to the madness. It's time the truth was told and I will tell it. It's time
the lid was blown.
Even our money isn't spared |
If we survive
the year of this dreadful curse, I can only hope that it does not spread with
infectious speed throughout the entire island. We have already had the Galway
500 and Cork 800. Perish the thought of what will be created by the commercial
success of this madness. Like the festivals and their roses of the sixties, this
could spread to every town and village in the country, culminating no doubt in
one big national bash to celebrate the anniversary of the tectonic separation
of the island from the rest of Europe. Rest assured, someone will be able to
pinpoint the exact date of that too - and we'll believe it!
* Carmencirra:
Carmencita Hederman was Lord Mayor of Dublin for the Millennium year.
© Ronan Quinlan 1988
© Ronan Quinlan 1988
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